Sound #22

 In the project, Salvador chose the first song that was shown in the film, which was Living Waters by Brock Hewitt. He chose this song because it fit the slow, quiet, sad theme of the first scene. It also made sense with the events that happen in the scene, as the character appears to be reflecting on events that had happened earlier in the day. Hannah chose the second song which was Ain't We Got Fun by Doris Day. She chose it because it has a very bright mood to it, which is similar to the first scene because it is set in the morning. The lyrics also make it seem like everyday is going to be happy and great, but we can clearly see that this is not the case considering the pervious scene. 

Hannah did most of the editing on the software. She used recordings of footsteps through the grass for the first scene, heavy breathing, and alarm clock sounds in the video. These all were recorded either in the video itself or added after, such as the footsteps through the grand which was done by myself. Most of the sound in the film is diegetic, with the exception of Ain't We Got Fun that is played in the second scene.